Author: kyunghye.kim

CFP: Ragusa and Montalbano: translating Camilleri’s regionalised voices in AVT

Events

Ragusa and Montalbano: translating Camilleri’s regionalised voices in AVT Ragusa, 19 – 20 October 2017 The literary translation of Camilleri’s series of detective stories featuring Inspector Montalbano are the subject of annual seminars (2013-2016) organised by the University of Cagliari. The forthcoming  conference, Ragusa and Montalbano: translating Camilleri’s regionalised voices in AVT,  is also  a response to those studies and […]

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CFP: “Intersemiotic Translation, Adaptation, Transposition: saying almost the same thing?”, University of Cyprus

Events

Interdisciplinary Conference Call For Papers “Intersemiotic Translation, Adaptation, Transposition: saying almost the same thing?” University of Cyprus, Nicosia, November 10-12, 2017. Conference website: <www.intersemiosis-cy.com> Organizing committee: Evangelos Kourdis (Aristotle University of Thessaloniki) John Milton (University of São Paulo) Vasso Yannakopoulou (University of Cyprus) Keynote speakers: Andrew Chesterman (University of Helsinki) Julie Sanders (Newcastle University) Peeter Torop (University of Tartu) Scientific […]

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CFP: 8th Annual Graduate Student Conference in Translation Studies

Events

CALL FOR PAPERS “Translation and the Border: Crossing, Conflict, and Creation” The graduate students of the School of Translation at Glendon College, York University, are pleased to announce the 8th Annual Graduate Student Conference in Translation Studies to be held at the Glendon College in Toronto on March 18, 2017. The keynote speaker will be confirmed shortly. Thanks to technological […]

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Seminar by Mona Baker (Hong Kong Baptist University, 2014) – Translation, Representation, and Narrative Performance

Resources, Video

Translation, Representation, and Narrative Performance   Click here to watch the video   Translation is one of the core practices through which any cultural group constructs representations of another and contests representations of the self. Part of its power stems from the fact that as a genre, it tends to be understood as “merely” reporting on something that is already […]

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